The prerogative is to overturn the perspective of reality, like an hourglass, from double absence to fluid consciousness: identity is always the same while never being so, it is irreducible and it is Mediterranean. The music moves from traditional elements of the mediterranean area, particularly voices, to today’s electroacoustic research. Acoustic instruments, samplers and live electronics are used to create a sound environment in counterpoint to the textual materials. A score as “island book” and archipelago. Taroots is everything that can be breathed in the sounds and imperceptible syncretisms of peoples who no longer recognise themselves as part of a collective identity. As Ortega y Gasset said, “when the Mediterranean was a reality, neither Africa nor Europe existed.”